![]() It’s a moving saga about what the human body and spirit undergo during chemotherapy. She so often has, but season 3 is when Superman & Lois finally gives Tulloch her due, centering her character’s struggles and spending entire episodes on her long and harrowing emotional journey. In a season all about protecting one’s family, and what it drives men to do – John Henry gets a brief and volatile arc in this regard as well – it’s easy for the likes of Lois to get lost in the shuffle. ![]() In tandem with this idea, revelations about Manheim and his family history place him and Clark at loggerheads, both as a villain and hero with opposing goals – Manheim’s mad-scientist experiments on former villains of the week place innocent people in danger – and as family men confronted with the specter of death. Clark, an invulnerable being, is unmoored by the prospect of his wife’s mortality as a hero accustomed (and dedicated) to saving everyone he possibly can, Lois’ demise, should it come to pass, is one he’s forced to simply accept. While these various threads seem scattered at first, they’re eventually drawn together through twists and turns that, despite seeming obvious, work to magnify the season’s central themes. Coleman), who controls a version of the deadly, sonic-blast-inducing comic villain, Onomatopoeia. Lois is diagnosed with breast cancer, a battle she and Clark are forced to fight alongside the resurgence of Metropolis gangster Bruno Manheim (Chad L. These are all bound, however, by a difficult development. This sense of rebuilding guides several threads former sweethearts Jordan and Sarah (Inde Navarrette) figuring out how to be friends the recent divorce of Sarah’s parents, Lana (Emmanuelle Chriqui) and Kyle (Erik Valdez) and multiverse travelers Natalie Irons (Tayler Buck) and her father John Henry (Wolé Parks) trying their best to start a new life on a brand-new Earth. The season picks up where things left off, with Smallville trying to rebuild itself in the aftermath of yet another attack (courtesy of last season’s multiverse-merging, which wasn’t nearly as engaging as its interpersonal drama).
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